PROJECT
CLIENT
FORMAT
Crank Yankers
Comedy Central
TV Series
ABOUT
I had the incredible opportunity to direct several segments for Comedy Central's Crank Yankers. My background as an editor on the show proved invaluable, as it allowed me to leverage my experience in crafting numerous sketches. What's more, I was fortunate to have the trust and creative freedom from our producers to shape scenes and infuse them with visual detail and humor.
One of the highlights of my time directing on the show was the chance to collaborate with our puppets and the talented puppeteers who bring them to life. Filming puppets poses unique obstacles, particularly in concealing the performers. I meticulously planned the placement of set dressing and props, often rearranging the sets entirely from their initial designs. This approach ensured the puppeteers had maximum flexibility while remaining hidden from the camera's view.
Working with a pre-recorded audio track posed another layer of complexity. We had to consider the pre-established timing of the dialogue, which couldn't be altered. This required precise choreography of character movements to ensure that the jokes landed seamlessly for the audience. Working on Crank Yankers not only provided unique challenges but also incredible opportunities to hone my skills as a director and storyteller.
PROJECT
Crank Yankers
CLIENT
Comedy Central
FORMAT
TV Series
ABOUT
I had the incredible opportunity to direct several segments for Comedy Central's Crank Yankers. My background as an editor on the show proved invaluable, as it allowed me to leverage my experience in crafting numerous sketches. What's more, I was fortunate to have the trust and creative freedom from our producers to shape scenes and infuse them with visual detail and humor.
One of the highlights of my time directing on the show was the chance to collaborate with our puppets and the talented puppeteers who bring them to life. Filming puppets poses unique obstacles, particularly in concealing the performers. I meticulously planned the placement of set dressing and props, often rearranging the sets entirely from their initial designs. This approach ensured the puppeteers had maximum flexibility while remaining hidden from the camera's view.
Working with a pre-recorded audio track posed another layer of complexity. We had to consider the pre-established timing of the dialogue, which couldn't be altered. This required precise choreography of character movements to ensure that the jokes landed seamlessly for the audience. Working on Crank Yankers not only provided unique challenges but also incredible opportunities to hone my skills as a director and storyteller.
STILLS
Crank Yankers
STILLS
Crank Yankers
